“The Summer of the Beautiful White Horse,” by William Saroyan

Opening paragraph:

One day back there in the good old days when I was nine and the world was full of every imaginable kind of magnificence, and life was still a delightful and mysterious dream, my cousin Mourad, who was considered crazy by everybody who knew him except me, came to my house at four in the morning and woke me up by tapping on the window of my room.

(My Mentor Howard Pease continues) Notice that this paragraph presents the three fundamentals in one long sentence. It also tells us that this story will be like the simple tale told aloud in the first person. Simple only on the surface, however, this viewpoint in reality is difficult to carry through with complete success. The limitations and weaknesses inherent in all first-person narratives may be why so many readers dislike this viewpoint, and why some editors greet its use with dismay. (See chapter on Point of View.) If you have the deftness and charm of a William Saroyan, or the sophistication and ironic wit of a Somerset Maugham, go ahead and try your hand at a first-person story. Otherwise wait until you become a craftsman.

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