The tall, gaunt man with protruding ears and a receding hairline got off the bus and started to walk along the murky Buenos Aires street. Outwardly he was relaxed, just another working man after a hard day. Inwardly he was tense, watchful—as he had been, day and night, for 15 years.
(My Mentor Howard Pease continues) With the use of the three fundamentals the author catches our attention by beginning this article at a moment in time just before the climax. First, a character is presented in action in a definite setting; then comes the hook. Though this reads like fiction, it is fact. Notice that the protagonist’s name is not given. There are two reasons for this. His name is given in the title. He is also now living under an assumed name, perhaps one of many that he has used since Hitler’s Germany crashed under the onslaught of the Allied Forces. He is a man hiding from retribution.