An Author’s Inspiration Development Journal Entry 2

Continuing  background:  An Author’s Inspiration is planned to be distributed with writer configurable files.  These files describe characters, plot, setting, and (most importantly), stress.  As distributed, these files currently describe the adventures of Harry Potter in the film version of The Order of the Phoenix.  The outline generated by An Author’s Inspiration combines these elements, expanded into 28 beats.

In The Order of the Phoenix, there are a lot of characters each with their strengths and weaknesses. In An Author’s Inspiration, each character has a file of trait descriptions and character sketch provided by the writer.  The emphasis on these traits are largely psychological.

The beat format of the generated outline allows for 80-90% of the scenes from the film to fit into beats’ settings.  The plot is a matter of interpretation, but with Harry Potter, the elements in the file describing plot can be arrived at through what is largely formula for the Harry Potter series.

What of the stress I describe as (most) important?  Research has borne out Kurt Vonnegut’s observation of the emotional shape of at least six types of story.  Each shape is a simple curve expressed in a flow of shifting levels of both good (eustress) stress and bad (distress) stress.  The writer can not only establish a plot point, but can attach a level of stress to it.

An Author’s Inspiration Development Journal Entry 3

With the background established, I move on to my own experience using An Author’s Inspiration.  As I am also the designer, it allows me to adjust the design of the software to suit short-falls, add flexibility, and to create new features that were unanticipated during early stages.

The first thing that hit me was about the design at a fundamental level.  I had planned on the writer having the ability to write free form notes into unlimited text fields.  Unfortunately, that design has constraints.  The writer cannot use punctuation in this text (that made it easy to write the code).  However, I as the writer need the ability to separate ideas into sentences, and this put demands upon me as the designer to step up to the plate to make that happen at a very fundamental level.

So, the first lesson of using my own software is to add a robust method to allow me to enter complete paragraphs with punctuated sentences into the text field.  This will be mildly complex, and demand deep testing as changes at the fundamental level can cast dramatic problems into what should be high level subtleties.

An Author’s Inspiration Development Journal Entry 1

I have decided to start a journal to express the Aha! moments that are arriving now.  However, some background is needed to say how I got to such moments.

I have put in roughly six months (or 1,000 hours) of design and development of the idea I call An Author’s Inspiration.  In fair market prices for a senior software developer, that would bill out at $80,000.  There is more design and coding to go, but I am at a beta release version of 0.7 that suits many functions I set out to achieve.  Going the distance from beta release version 0.7 to product release version 1.0 places new appeals to my designer’s inspiration.

I am currently re-purposing my beta for use in my own fiction writing, and I am discovering short-falls of design.  In the culture of software design, using my own product is know as “eating your own dog food.”  That is, in my release package, I have files designed specifically for Harry Potter in The Order of the Phoenix.  I am not writing a Harry Potter story.  As needs must, I have to replace those configurable files with files that describe my own story with its own characters.

Currently, beta version 0.7 does that very well.  That is, An Author’s Inspiration has exceptional flexibility, allowing for many levels of character and plot invention and tailoring by the writer.  It presents the writer’s effort with a fully fleshed out psychological tone map of their story in a linear outline format.

And on this point of tone map my design effort turns (and eating my own dog food emerges).  As I modify the distribution files I am beginning to see the shape of how I might proceed outside of the forced linearity of the process.  Fortunately, An Author’s Inspiration‘s flexibility allows the writer to leave out many details, and develop them later.  I designed that feature deliberately, and as a writer using An Author’s Inspiration, I find it brings me considerable relief not to have to decide every character trait from the outset.

More to follow.